Work made with Satres machines
These are not product shots. They are real devices, made in a lab that works with our machines every day — and photographed by the technician who made them.
Ci sono giornate intense— some days are intense.
- Ortopedia Primo CeciliaRome, Italy
- ORTHO 1004 EVOthe machine in the workshop
- 129LinkedIn reactions to the Lisfranc prosthesis post
Ortopedia Primo Cecilia
The workshop runs an ORTHO 1004 EVO. The pieces below were made and published by Fabrizio Martinoli, who looks after the lab's digital side.
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Prosthesis for a Lisfranc amputation
A Lisfranc amputation leaves a partial forefoot: the socket has to be built on the residual shape and the missing volume rebuilt, without creating incorrect load points.
ORTHO 1004 EVO →
Glass fibre and carbon insoles
On the left the positive straight off the machine, with the reinforcement outline drawn in pencil. On the right the piece laminated in pre-preg and trimmed to the same shape.
ORTHO 1004 EVO →
The machine at work
Dry milling of two insole positives, filmed in the workshop mid-cycle. This is the step that decides the accuracy of everything that follows.
ORTHO 1004 EVO →
Ankle-foot orthosis with Neuro Swing joint
An ankle-foot orthosis with a dynamic joint: the laminated part has to be built on the patient's model before the mechanics go on, so the joint axis falls where it should.
ORTHO 1004 EVO →129
How colleagues received it
The post with the Lisfranc prosthesis drew 129 reactions and comments from orthopaedic technicians and prosthetists in the United States, the Netherlands and Italy. A few of them:
Amazing work! What resin is that? Looks great!
David, product expert and amputee — United StatesVery nice looking design! Does it have a reinforced or rigid foot plate in combination with a dorsiflexion stop motion?
Scott, orthopaedic technician — United StatesGreat job.
Henk, CPO — NetherlandsTecnica ortopedica in evoluzione e ricerca.
Cecilia, orthopaedic technician — Italy (“orthopaedic technique evolving through research”)
Photos and comments are published by Fabrizio Martinoli on his professional profile and reproduced here with his consent.
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